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There was far more to Quinton, it seems, than she ever knew. Then Amari discovers a ticking briefcase in her brother’s old closet. Why isn’t his story all over the news? And why do the police automatically assume he was into something illegal? When he mysteriously goes missing, his little sister, 13-year-old Amari Peters, can’t understand why it’s not a bigger deal.
#WHEN WILL SURVIVE THE NIGHTS BE RELEASED FULL#
Why isn’t his story all over the news? And why do the police automatically assume he was into someth Quinton Peters was the golden boy of the Rosewood low-income housing projects, receiving full scholarship offers to two different Ivy League schools.
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Baxter, Peter F.Quinton Peters was the golden boy of the Rosewood low-income housing projects, receiving full scholarship offers to two different Ivy League schools. Producers: Randall Emmett, George Furla, Shaun Sanghani, Mark StewartĮxecutive producers: Tim Sullivan, Alex Eckert, Ceasar Richbow, Barry Brooker, Stan Wertlieb, Arianne Fraser, Delphine Perrier, Henry Winterstern, Richard L. Production companies: Emmett/Furla/Oasis Films, SSS Entertainment, SSS Capitalĭistributor: Lionsgate ( Available on VOD)Ĭast: Chad Michael Murray, Bruce Willis, Shea Buckner, Tyler Jon Olson, Lydia Hull, Riley Wolfe Rach, Jessica Abrams, Sara Lynn Holbrook, Jef Holbrook You almost wish there had been a bloopers reel during the end credits so you could be assured that the performers at least had a good time. Unfortunately, there’s not much he can do with it, and the rest of the ensemble, including leading man Murray, don’t fare much better. Unfortunately, “I’m gonna get his attention” doesn’t quite live up to the gold standard set by “Yippee-ki-yay, motherfucker,” which only serves to accentuate the diminishing quality of his action films over the years.Īt least Willis earns his paycheck, however unlike the glorified cameos that account for so many of his recent film performances, here he actually has a solid amount of screen time. This being a Willis vehicle, naturally he gets to deliver a pithy one-liner or two. Later on, even as they’re fighting for their lives, father and son take the time to have a lengthy chat in which they attempt to work out their issues. There’s plenty of gory violence and action, including a car chase (one of the more contrived elements), but the pacing is so sluggish and the execution so humdrum that you begin to think that it’s not so much a question of surviving the night but staying awake through it.Įven worse are the so-called dramatic moments, including an early scene in which Frank agonizes to his wife about his failings as a father, which have the feel of rewrites demanded by Willis to beef up his character.
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Eventually, of course, Frank springs into action, or, considering his overall rustiness, at least limps into it.Įven considering the time-tested reliability of the scenario, director Matt Eskandari and screenwriter Doug Wolfe somehow manage to render it utterly devoid of suspense.
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Breaking into the home, they accidentally kill Rich’s mother and then threaten to murder the rest of his family unless he operates on Mathias’ leg.Ĭue the predictable plot mechanics, as Rich desperately attempts to stall for time - he’s convinced that he’ll botch the job if he attempts the surgery - and prevent the men from harming his family. Unwilling to risk Mathias’ being treated in a hospital, the criminals instead follow Rich home from work. His careless brutality becomes a major problem when the two rob a convenience store, with Jamie gunning down a customer and Mathias getting shot and seriously wounded by the armed clerk. Mathias is the brains of the two, not wanting to hurt people if he can help it, while the hot-headed Jamie is a loose cannon, all too willing to resort to violence. As the story begins, we’re introduced to criminal siblings Mathias (Tyler Jon Olson) and Jamie (Shea Buckner), who, like so many nefarious duos, have distinctly different personalities.